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Some
of the most collectible Pountney wares are the decorative art ware
pieces from the early years of the 20thcentury. In a reversal of the
trend which had built up in the latter part of the 19th century towards
printed transfer designs T. B. Johnston re-introduced hand painting into
the Bristol repertoire. Talented trainees were tutored at art classes
and new artists were imported from outside potteries. William Moore
Binns from Royal Worcester was employed as art director.
Johnston was greatly attracted to the Wemyss style and purchased some of
their designs, along with painters to execute them. The talents of these
imported painters such as George Stewart and David Grinton were utilised
to instruct the local staff in the appropriate techniques and thus was
born the Pountney Art pottery now sought after so diligently by
collectors. Wemyss style Roses, Cock and Hen, Leaded Lights Louis Wain
cats, all have their devotees. Many of these items bear back
Stamps such as , The Bristol Cock and Hen Pottery, The Bristol Baronial
pottery, The Bristol Fiscal Pottery. often accompanied by the painters
initials , e.g. G.S. for George Stewart . These back stamps give the
impression of small studio potteries , but in fact this ware came from
one of the largest potteries in the country.
An interesting type of art pottery also made at this period is Gold
Crackle which was based on Elton Ware made at nearby Clevedon Court. The
example illustrated was very kindly loaned by Granby Antiques Clevedon
to whom I am most grateful.
The practice of hand painting was maintained right through to the 1950’s
and there are many superb examples still to be found at very reasonable
prices, though these are rapidly rising. |
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Louis
Wain Cat and Dog (Picture courtesy of pastimesnz )
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